BEGIN:VCALENDAR VERSION:2.0 PRODID:-//PYVOBJECT//NONSGML Version 1//EN BEGIN:VTIMEZONE TZID:CET BEGIN:STANDARD DTSTART:20001029T040000 RRULE:FREQ=YEARLY;BYDAY=-1SU;BYMONTH=10 TZNAME:CET TZOFFSETFROM:+0200 TZOFFSETTO:+0100 END:STANDARD BEGIN:DAYLIGHT DTSTART:20000326T030000 RRULE:FREQ=YEARLY;BYDAY=-1SU;BYMONTH=3 TZNAME:CEST TZOFFSETFROM:+0100 TZOFFSETTO:+0200 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:20260806T135811Z - 59361@eu809a.odoo.com DTSTART;TZID=CET:20101031T210000 DTEND;TZID=CET:20101031T230000 CREATED:20260806T135811Z DESCRIPTION:Performance of '\;Goldberg Variation s'\; by Jurij Konjar\nA memory of a moment\, almost three years ago : I was returning home from an evening rehearsal. Then there's a gap in my memory... The next moment I remember I'm in the hospital\, being told tha t I had been attacked and brought there\, four days ago. That happened two months before my 30th birthday and at the beginning the Goldberg Variatio ns process. The initial recovery took two months\, while the full recovery took six. Besides loosing the sense of smell and still not remembering th ose four days\, everything returned to normal. What shifted was the perspe ctive. In 2007 I've started by looking at the video work based on Steve Pa xton's 1986 performance 'Goldberg Variations by J.S. Bach\, played by Glen Gould\, improvised by Steve Paxton'\; first copying movement\, then focus ing on what I saw beyond the movement. Since 2009\, improvising The Goldbe rg has become like a friend I look forward to spending time with every day . While improvising I've tested the questions that appeared and answered t hem with more observation of the video\, giving myself the freedom to fill in the gaps with imagination and my own findings\; first pretending I was understanding how Steve's dancer mind works\; then understanding and acce pting\, that it was my own. Events unraveled and I went along\; passing by a solitary working period in Buenos Aires\; and another in dialogue with Steve Paxton and Lisa Nelson. The process took off and became a practice\, which started taking shape inside a bubble of here-now\; as a one hour me eting between the music\, myself and the audience. With gratitude to Steve Paxton and Lisa Nelson for sharing\, for their guidance and hospitality\; to Guido Reimnitz for his continuous support and friendship\; and also to Emil Hrvatin and his 'Fake It!'\, which stimulated this project and conti nuously challenged its values. DTSTAMP:20260806T135811Z LOCATION:Avenue Ducpétiaux 133a\, 1060 Saint-Gilles\, Belgium SUMMARY:Performance of 'Goldberg Variations' by Jurij Konjar X-ALT-DESC;FMTTYPE=text/html:Performance of '\;G oldberg Variations'\; by Jurij Konjar\nA memory of a moment\, almos t three years ago: I was returning home from an evening rehearsal. Then th ere's a gap in my memory... The next moment I remember I'm in the hospital \, being told that I had been attacked and brought there\, four days ago. That happened two months before my 30th birthday and at the beginning the Goldberg Variations process. The initial recovery took two months\, while the full recovery took six. Besides loosing the sense of smell and still n ot remembering those four days\, everything returned to normal. What shift ed was the perspective. In 2007 I've started by looking at the video work based on Steve Paxton's 1986 performance 'Goldberg Variations by J.S. Bach \, played by Glen Gould\, improvised by Steve Paxton'\; first copying move ment\, then focusing on what I saw beyond the movement. Since 2009\, impro vising The Goldberg has become like a friend I look forward to spending ti me with every day. While improvising I've tested the questions that appear ed and answered them with more observation of the video\, giving myself th e freedom to fill in the gaps with imagination and my own findings\; first pretending I was understanding how Steve's dancer mind works\; then under standing and accepting\, that it was my own. Events unraveled and I went a long\; passing by a solitary working period in Buenos Aires\; and another in dialogue with Steve Paxton and Lisa Nelson. The process took off and be came a practice\, which started taking shape inside a bubble of here-now\; as a one hour meeting between the music\, myself and the audience. With g ratitude to Steve Paxton and Lisa Nelson for sharing\, for their guidance and hospitality\; to Guido Reimnitz for his continuous support and friends hip\; and also to Emil Hrvatin and his 'Fake It!'\, which stimulated this project and continuously challenged its values. END:VEVENT END:VCALENDAR