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BEGIN:VEVENT
UID:20260622T121007Z - 6424@eu809a.odoo.com
DTSTART;TZID=CET:20101031T210000
DTEND;TZID=CET:20101031T230000
CREATED:20260622T121007Z
DESCRIPTION:<a href="https://unsolicited-artists.odoo.com/event/performance
 -of-goldberg-variations-by-jurij-konjar-213">Performance of &#39\;Goldberg
  Variations&#39\; by Jurij Konjar</a>\nA memory of a moment\, almost three
  years ago: I was returning home from an evening rehearsal. Then there's a
  gap in my memory... The next moment I remember I'm in the hospital\, bein
 g told that I had been attacked and brought there\, four days ago. That ha
 ppened two months before my 30th birthday and at the beginning the Goldber
 g Variations process. The initial recovery took two months\, while the ful
 l recovery took six. Besides loosing the sense of smell and still not reme
 mbering those four days\, everything returned to normal. What shifted was 
 the perspective. In 2007 I've started by looking at the video work based o
 n Steve Paxton's 1986 performance 'Goldberg Variations by J.S. Bach\, play
 ed by Glen Gould\, improvised by Steve Paxton'\; first copying movement\, 
 then focusing on what I saw beyond the movement. Since 2009\, improvising 
 The Goldberg has become like a friend I look forward to spending time with
  every day. While improvising I've tested the questions that appeared and 
 answered them with more observation of the video\, giving myself the freed
 om to fill in the gaps with imagination and my own findings\; first preten
 ding I was understanding how Steve's dancer mind works\; then understandin
 g and accepting\, that it was my own. Events unraveled and I went along\; 
 passing by a solitary working period in Buenos Aires\; and another in dial
 ogue with Steve Paxton and Lisa Nelson. The process took off and became a 
 practice\, which started taking shape inside a bubble of here-now\; as a o
 ne hour meeting between the music\, myself and the audience. With gratitud
 e to Steve Paxton and Lisa Nelson for sharing\, for their guidance and hos
 pitality\; to Guido Reimnitz for his continuous support and friendship\; a
 nd also to Emil Hrvatin and his 'Fake It!'\, which stimulated this project
  and continuously challenged its values.
DTSTAMP:20260622T121007Z
LOCATION:Avenue Ducpétiaux 133a\, 1060 Saint-Gilles\, Belgique
SUMMARY:Performance of 'Goldberg Variations' by Jurij Konjar
X-ALT-DESC;FMTTYPE=text/html:<a href="https://unsolicited-artists.odoo.com/
 event/performance-of-goldberg-variations-by-jurij-konjar-213">Performance 
 of &#39\;Goldberg Variations&#39\; by Jurij Konjar</a>\nA memory of a mome
 nt\, almost three years ago: I was returning home from an evening rehearsa
 l. Then there's a gap in my memory... The next moment I remember I'm in th
 e hospital\, being told that I had been attacked and brought there\, four 
 days ago. That happened two months before my 30th birthday and at the begi
 nning the Goldberg Variations process. The initial recovery took two month
 s\, while the full recovery took six. Besides loosing the sense of smell a
 nd still not remembering those four days\, everything returned to normal. 
 What shifted was the perspective. In 2007 I've started by looking at the v
 ideo work based on Steve Paxton's 1986 performance 'Goldberg Variations by
  J.S. Bach\, played by Glen Gould\, improvised by Steve Paxton'\; first co
 pying movement\, then focusing on what I saw beyond the movement. Since 20
 09\, improvising The Goldberg has become like a friend I look forward to s
 pending time with every day. While improvising I've tested the questions t
 hat appeared and answered them with more observation of the video\, giving
  myself the freedom to fill in the gaps with imagination and my own findin
 gs\; first pretending I was understanding how Steve's dancer mind works\; 
 then understanding and accepting\, that it was my own. Events unraveled an
 d I went along\; passing by a solitary working period in Buenos Aires\; an
 d another in dialogue with Steve Paxton and Lisa Nelson. The process took 
 off and became a practice\, which started taking shape inside a bubble of 
 here-now\; as a one hour meeting between the music\, myself and the audien
 ce. With gratitude to Steve Paxton and Lisa Nelson for sharing\, for their
  guidance and hospitality\; to Guido Reimnitz for his continuous support a
 nd friendship\; and also to Emil Hrvatin and his 'Fake It!'\, which stimul
 ated this project and continuously challenged its values.
END:VEVENT
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